Barcelona History
Barcelona has emerged from a spotty history. With
Castilian kings pumping cannonballs over the city walls and anarchists disagreeing on which shoulder to hang their
rifles, the city shrank in the shadow of greater cities and powers for centuries.
Though founded around 230 BC, likely by the
Carthaginians, and invaded by the Visigoths and then the Muslims, the history of the city, in a sense, only truly
began after armies from what is now France pushed back the Muslims in 801 AD. At the time, the plains and mountains
to the northwest and north of Barcelona were populated by the people who by then could be identified as 'Catalans'
(although surviving documentary references to the term only date to the 10th century). Catalan's closest linguistic
relative today is the langue d'oc, the old language of southern France.
Las Ramblas
Five separate streets strung end to end, La Rambla (also called Las Ramblas) is a tree-lined pedestrian boulevard
packed with buskers, living statues, mimes and itinerant salespeople selling everything from lottery tickets to
jewellery. The noisy bird market on the second block of La Rambla is worth a stop, as is the nearby Palau de la
Virreina, a grand 18th-century rococo mansion, with arts and entertainment information and a ticket office. Next
door is La Rambla's most colourful market, the Mercat de la Boqueria. Just south of the Boqueria the Mosaic de Miro
punctuates the pavement, with one tile signed by the artist. The next section of La Rambla boasts the Gran Teatre
del Liceu, the famous 19th-century opera house. Below the Pla?a Reial, La Rambla becomes decidedly seedy, with
strip clubs and peep shows. La Rambla terminates at the lofty Monument a Colom (Monument to Columbus) and the
harbour. You can ascend the monument by lift. Just west of the monument, on Avinguda de les Drassanes, stand the
Reials Drassanes (Royal Shipyards), which house the fascinating Museu Mar?tim. It has more seafaring paraphernalia
than you'd care to wag a sextant at - boats, models, maps, paintings, ships' figureheads and 16th-century
galleys.
Barri Gotic
The Barri Gotic contains a concentration of medieval Gothic buildings only a few blocks northeast of La Rambla, and
is the nucleus of old Barcelona. It's a maze of interconnecting dark streets linking with squares, and there are
plenty of cafes and bars, as well as the cheapest accommodation in town. Most of the buildings date from the 14th
and 15th century, when Barcelona was at the height of its commercial prosperity and before it had been absorbed
into Castile. Around the Catedral, one of Spain's greatest Gothic buildings, you can still see part of the ancient
walls incorporated into later structures. The quarter is centred around the Plaza de Sant Jaume, a spacious square,
the site of a busy market and one of the venues for the weekly dancing of the sardana. Two of the city's most
significant buildings are here, the Ajuntament and the Palau de la Generalitat.
Museu Picasso
The Museu Picasso is Barcelona's most visited museum. It's housed in three strikingly beautiful stone mansions on
the Carrer de Montcada, which was, in medieval times, an approach to the port. The museum shows numerous works that
trace the artist's early years, and is especially strong on his Blue Period with canvases like The Defenceless,
ceramics and his early works from the 1890s. The second floor shows works from Barcelona and Paris from 1900-1904,
with many of his impressionist-influenced works. The haunting Portrait of Senyora Canals (1905), from his Pink
Period is also on display. Among the later works, all executed in Cannes in 1957, are a complex technical series
(Las Meninas), which consists mostly of studies on Diego Velazquez's masterpiece of the same
name.
La Sagrada Familia
La Sagrada Familia is truly awe-inspiring - even if you don't have much time, don't miss it. The life's work of
Barcelona's favourite son, Antoni Gaudi, the magnificent spires of the unfinished cathedral imprint themselves
boldly against the sky with swelling outlines inspired by the holy mountain Montserrat. They are encrusted with a
tangle of sculptures that seem to breathe life into the stone. Gaudi died in 1926 before his masterwork was
completed, and since then, controversy has continually dogged the building program. Nevertheless, the southwestern
(Passion) facade, with four more towers, is almost done, and the nave, begun in 1978, is progressing. Some say the
shell should have been left as a monument to the architect, but today's chief architect, Jordi Bonet, argues that
the task is a sacred one, as it's a church intended to atone for sin and appeal to God's mercy on
Catalunya.
La Pedrera
Another Gaudi masterpiece, La Pedrera was built between 1905 and 1910 as a combined apartment and office block.
Formerly called the Casa Miro, it's better known now as La Pedrera (the quarry) because of its uneven grey stone
facade that ripples around a street corner - it creates a wave effect that's further emphasized by elaborate
wrought-iron balconies. Visitors can tour the building and go up to the roof, where giant multicoloured chimney
pots jut up like medieval knights. On summer weekend nights, the roof is eerily lit and open for spectacular views
of Barcelona. One floor below the roof is a modest museum dedicated to Gaudi's work.
Montjuic Montjuic, the hill overlooking the city
centre from the southwest, is home to some fine art galleries, leisure attractions, soothing parks and the main
group of 1992 Olympic sites. Approach the area from Plaza d'Espanya and on the north side you'll see Plaza de Braus
Les Arenes, a former bullring where the Beatles played in 1966. Behind it lies Parc Joan Miro, where stands Miro's
highly phallic sculpture Dona i Ocell (Woman and Bird). Nearby, the Palau Nacional houses the Museu Nacional d'Art
de Catalunya, which has an impressive collection of Romanesque art. Stretching up a series of terraces below the
Palau Nacional are fountains, including the biggest, La Font Magica, which comes alive with a free lights and music
show on summer evenings. In the northwest of Montjuic is the 'Spanish Village', Poble Espanyol. At first glance
it's a tacky tourist trap, but it also proves to be an intriguing scrapbook of Spanish architecture, with very
convincing copies of buildings from all of Spain's regions. The Anella Olimpica (Olympic Ring) is the group of
sports installations where the main events of the 1992 games were held. Down the hill, visit masterpieces of
another kind in the Fundacio Joan Miro, Barcelona's gallery for the greatest Catalan artist of the 20th century.
This is the largest single collection of his work.
Tibidabo At
542m (1778ft), Tibidabo is the highest hill in the wooded range that forms the backdrop to Barcelona. If the
air's clear, it's a great place for views over the city. The locals come up here for some thrills at the
amusement park Parc d'Atraccions, which has rides and a house of horrors. As hair-raising as anything at the
Parc, however, is the glass lift that goes 115m (126yd) up to a visitors' observation area at Torre de
Collserola telecommunications tower. The more sedate can find solace in Temple del Sagrat Cor, Barcelona's
answer to Paris' Sacre Coeur; it's even more vilified by aesthetes than its Paris equivalent. Looming above
Tibidabo's funicular station, it is actually two churches, one on top of the other. The top one is surmounted
by a giant Christ and has a lift to the roof.
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